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The Australian National University

Baldessin Precinct Building 110, ANU, Canberra ACT 0200
T: + 61 2 6125 2895, F: + 61 2 6125 3252, E: german@anu.edu.au

Dr Roger Hillman, Reader
Honours Convener and Postgraduate Adviser

Office:
Baldessin Precinct Building
[#110]
Room W3.12 (Level 3)

T: (02) 6125 2731 or 6125 0334
F: (02) 6125 3252
E: Roger.Hillman@anu.edu.au

Office Hours:

and by appointment

Contact for:
GERM3047
Honours and postgraduate matters


Dr Roger Hillman is a reader in the German Studies Program in the School of Language Studies and in the Film Studies Program in the School of Humanities.


Research Interests:
European literature (especially German and French), European Cinema (especially German and Italian), music, narrative, film music.

Recent Publications:

Film adaptations of Günter Grass’s prose works. Cambridge Companion to Günter Grass, ed. Stuart Taberner (Cambridge UP, 2009)

Trueba’s La niña de tus ojos (The Girl of Your Dreams) (1998): the German Connection. Studies in European Cinema 5.1 (2008), 67-76.

La musique comme indice culturel dans le cinéma: au-delà des images nationales. Précis du plurilinguisme et du pluriculturalisme, ed. Geneviève Zarate et al. (Paris: Éditions des archives contemporaines, 2008), 249-54.

Am Rande der Heine-Rezeption. Harry...Heinrich...Henri...Heine, ed. Dietmar Goltschnigg et al. (Berlin: Erich Schmidt Verlag, 2008), 259-64.

(with Hendrik Blumentrath, Julia Bodenburg and Martina Wagner-Egelhaaf) Transkulturalität: Türkisch-deutsche Konstellationen in Literatur und Film (Münster: Aschendorff, 2007).

Unsettling Scores: German Film, Music, Ideology (Bloomington: Indiana UP, 2005), 219 pp.

Reading Images, Viewing Texts: Crossdisciplinary Perspectives, coed. Louise Maurer (Bern: Peter Lang, 2006), 227 pp.

(with Hendrik Blumentrath, Julia Bodenburg and Martina Wagner-Egelhaaf) Antipodean Visions of Transcultural Societies: Ein australisch-deutsches Forschungsprojekt zu Filmen der Gegenwart. KulturPoetik: Journal for Cultural Poetics 5/2 (2005), 203-224.

Lola and Billy the Kid (1999): A Turkish Director’s Western Showdown in Berlin. Post Script 25/2 (Winter/Spring 2006), 44-55.

Goodbye Lenin (2003): History in the Subjunctive. Rethinking History 10/2 (June 2006), 221-237.

Film and Music, or Instabilities of National Identity. In: Globalization, Cultural Identities, and Media Representations, ed. Natascha Gentz and Stefan Kramer (Albany, NY: SUNY Press, 2006), 143-51.

In the Eye of the Story: Film, Music, Narrative. In: Reading Images, Viewing Texts (see above), 145-61.

‘Heimat 3’, in Rouge 6 (2005), http://www.rouge.com.au/6/heimat.html