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College of Arts and Social Sciences -
Faculty of Arts
School of Language Studies - German Studies Program Baldessin Precinct Building 110, ANU,
Canberra ACT 0200 |
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Film adaptations of Günter Grass’s prose works. Cambridge Companion to Günter Grass, ed. Stuart Taberner (Cambridge UP, 2009) Trueba’s La niña de tus ojos (The Girl of Your Dreams) (1998): the German Connection. Studies in European Cinema 5.1 (2008), 67-76. La musique comme indice culturel dans le cinéma: au-delà des images nationales. Précis du plurilinguisme et du pluriculturalisme, ed. Geneviève Zarate et al. (Paris: Éditions des archives contemporaines, 2008), 249-54. Am Rande der Heine-Rezeption. Harry...Heinrich...Henri...Heine, ed. Dietmar Goltschnigg et al. (Berlin: Erich Schmidt Verlag, 2008), 259-64. (with Hendrik Blumentrath, Julia Bodenburg and Martina Wagner-Egelhaaf) Transkulturalität: Türkisch-deutsche Konstellationen in Literatur und Film (Münster: Aschendorff, 2007). Unsettling Scores: German Film, Music, Ideology (Bloomington: Indiana UP, 2005), 219 pp. Reading Images, Viewing Texts: Crossdisciplinary Perspectives, coed. Louise Maurer (Bern: Peter Lang, 2006), 227 pp. (with Hendrik Blumentrath, Julia Bodenburg and Martina Wagner-Egelhaaf) Antipodean Visions of Transcultural Societies: Ein australisch-deutsches Forschungsprojekt zu Filmen der Gegenwart. KulturPoetik: Journal for Cultural Poetics 5/2 (2005), 203-224. Lola and Billy the Kid (1999): A Turkish Director’s Western Showdown in Berlin. Post Script 25/2 (Winter/Spring 2006), 44-55. Goodbye Lenin (2003): History in the Subjunctive. Rethinking History 10/2 (June 2006), 221-237. Film and Music, or Instabilities of National Identity. In: Globalization, Cultural Identities, and Media Representations, ed. Natascha Gentz and Stefan Kramer (Albany, NY: SUNY Press, 2006), 143-51. In the Eye of the Story: Film, Music, Narrative. In: Reading Images, Viewing Texts (see above), 145-61. ‘Heimat 3’, in Rouge 6 (2005), http://www.rouge.com.au/6/heimat.html
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