Convenor: Dr Catherine Summerhayes (ANU)
The first AD event offered a combined public
documentary festival, film competition for emerging filmmakers
(5 in 3 on 1)
and a special 3 day international conference, November 26-30 2003.
was opened by the Vice-Chancellor
of the Australian National University, Prof. Ian Chubb and
by Dawn Casey, the Director of the National Museum of Australia
(NMA) on the 26th November at the NMA. Professor Michael Renov
from the University of Southern California gave the opening
Keynote Address introducing the themes that will continue to
be the focus on the 2003 and future AD symposia. The AD conference
ran from Wednesday 26 November until Friday 28 November 2003.
The major venue for the conference was the Visions Theatre
at the NMA, with the Thursday afternoon sessions at ScreenSound
Australia, and an evening session on the Thursday at Old Parliament
House.
was opened
by Dennis O'Rourke on Friday evening 28 November in the Garden
of Australian Dreams at the NMA. The Festival then continued over
the week-end with a morning session at the National Gallery of
Australia, and other day screenings at the NMA. The AD Festival's
nightly sessions were at Ronin's Electric Shadows Cinema. It concluded
on Sunday 30 November. The AD Festival program included 11 Australian
premiers, with question and answer sessions given by 14 filmmakers.
• The AD Conference and Festival brought
together leading documentary theorists and filmmakers from eight
countries: Australia, India, Federation of Russia, United States
of America, Canada, New Zealand, the United Kingdom and Bosnia
Herzegovina.
• Key events included a video-linked
discussion from Italy with Russian filmmaker Alexander Sokurov
on the evening of the 26th and a moderated dialogue on the evening
of the 27th, which was open to the public, between Canadian filmmaker
Richard Fung and Prof. Ross Gibson. Other key events were the
14 films screened during the AD Festival where filmmakers were
available for question & answer sessions with audiences.
The major overall objective for AD - Art of the
Documentary was to promote discussion between documentary filmmakers
and scholars about how they make and think about documentary film.
We did indeed create a significant forum which addressed the filmic
form known as 'documentary film', both for Australian and international
filmmakers and scholars. For the first time, theoreticians and
practitioners spoke from a common ground of commitment to documentary
and contributed to an exciting single-focused forum. We received
a lot of very positive feedback on the opportunities which the
conference provided. These include the following comments from
filmmaker Martha Ansara’s (University Technology Sydney):
'I … met wonderful people and came away from the talks inspired
… Congratulations on a thoughtful, well-organised and very
special event (1/12/03).'
And in the closing Plenary Session, Michael Renov was heard to
reflect on (and celebrate) AD as an event which brought him from
the United States of America to Canberra, Australia, where he
was able to take part in a video-linked discussion on Sergei Eisenstein
with the Russian filmmaker Alexander Sokurov who was in Italy
at the time
The sole sponsor was the National Capital Authority. The AD Competition
was run from 25th July – 15th August 2003. The AD Competition
was a national documentary film competition for new and emerging
documentary filmmakers with less than 20 minutes of screen credits.
The competition format was for a documentary under 5 minutes,
in 3 week, on 1 topic:
"Bush Capital: people, parrots and ‘pollies’
…?".
The judging panel included Mr Bob Connolly, Prof.David
MacDougall, Dr.Debra Beattie, Jennifer Collins (ABC), Dr.Catherine
Summerhayes and Mr.Andrew Pike. The prizewinners were announced
at the AD Conference Dinner at Old Parliament House on the evening
of Thursday 27th November 2003:
First Prize: "Unfinished Business",
Penny Jope et al (Sydney)
Second Prize: "Chicken Salt", Michael
Punch (Canberra)
Third Prize: "Aisle 7", Katie Hayne
(Canberra)
Christopher Eley’s film "The Burley Griffin Future"
was given a Special Commendation for Experimental Documentary
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